Live
Recommendations for Thursday, February 9, 2006
For
this week's New York Night Train show list - go
here
The
Drones, Mike Wexler, The End of the World - Knitting Factory
Main Space $12: Don’t let the name fool ya
– no Earth here. Plus, if they were a drone band, they'd
be called simply "Drone." The
Drones will remind you of a lot of your favorite
raw heavy dark Americana-informed post-Stooges Australian
bands - from Radio Birdman’s Radio’s Appear
on their straight rockers to Beasts of Bourbon’s Axeman’s
Jazz on their reverbed out numbers, or a ballad that
will remind you of Birthday Party’s “Jennifer’s
Veil” or a nugget filled with the messed-up grungyness
from Lubricated Goat’s classic Plays the Devils
Music. Hell they don’t even have to be from Australia
– they could be the Gun Club for all I’m concerned.
In the Drones you’ll find a hard band that’s way
too tasteful too be metallic - but denser and more hypnotic
than the others I mentioned previously. I wish I wasn’t
sick as a dog, because this is something I really want to
experience – I bet these folks burn live. And, speaking
of folk, Mike
Wexler is opening. One of the best songwriters,
singers, and musicians of his oeuvre, Williamsburg’s
Wexler plays imaginative compositions that feature his charismatic,
enigmatic, and prismatic voice. I don’t know who The
End of the World is – all I know is that I hope they’re
named after the haunting Skeeter Davis version.
In
the Country with special guest Marc Ribot plus Lars Horntveth
(of Jaga Jazzist) $12: This doesn’t sound bad
at all – local avant-guitar god Ribot with a really
fine contemporary Norwegian trio led by pianist Morten Qvenild
from the electronica-informed orchestra Jaga Jazzist. Lars
Horntveth, Jaga’s sax man, also sits in. Will Marc go
Euro? Will Lars lay down a dontown skronk?
Prism
Concerts: Kabloona, Liek, Oriental Skulls, Loring - Glass
House $5: This Prism event at the Glass House should
be quite the soiree. Kabloona play lively almost Lounge Lizardy
jazz – but not a throwback – just cool, fun, and
groove-laden post-modernity. Liek is Hektor Fontanez’s
abstract electronics and guitar noise project. Oriental Skulls,
are a new group that shares members with Kabloona and Owl
Sounds – including Colour Sounds Recordings’ boss/drummer
Adam Kriney. Loring plays ethereal with a sweet voice. And
did I mention free food?
Necking, Dan Deacon, Santa Dads, Stay Fucked, Not
Talibam – Tommy’s Tavern $5: Necking,
combining members of Flight of the Buffalo and Aa, and like
Aa itself, is drum-heavy stuff with ambient noise. Dan
Deacon’s goofy modernist music sits somewhere
between the Residents, Carl Stalling, and an old Atari. Santa
Dads may be one of the only ukulele-centric experimental
duos going. Stay
Fucked is really mathematical but fun almost
Fucking Champsy punkish rock. And
Not Talibam, as the name indicates, is not the
Kevin Shea band that I often recommend here but that band
without Kivin Shea - and playing rock. Todd P presents...
Go already.
Lycaon Pictus, Mad Man Films, Lake - Cake Shop $6:
Lycaon
Pictus, featuring the singer and drummer from
Challenge of the Future, is high-energy, super-minimal and
very eighties. While Boston’s Mad
Man Films are a bit on the nineties side.
Sigur
Ros, Amina – Theater at Madison Square Garden $39:
Iceland’s Sigur
Ros serve up epic musical poems that seem to
celebrate weather even colder than this (but they have the
gulf stream). Their new Geffen record is less snowy and more
multidimensional than before. And, as I’ve never been
the biggest fan of their overall aesthetic – particularly
the vocals, I’ll have to hand it to ‘em in terms
of arrangement, musicianship, and creativity. Amina,
the ladies responsible for a lot of the intricate layers of
unusual instrumentation in Sigur Ros, open.
Go
to NYNT's Live Archive here.
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